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'Uncle Vanya' review: Steve Carell and William Jackson Harper wallow in misery
Entertainment Weekly· 3 hours agoUncle Vanya is once again wallowing in despair on a Broadway stage, this time at Lincoln Center and...
‘Uncle Vanya’ Broadway Review: Steve Carell Now Plays a 47-Year-Old Virgin
The Wrap via Yahoo News· 3 hours agoThe actor makes his New York stage debut in a revival of the Chekhov classic that's much more comedy...
Papua New Guinea leader blasts Biden for claiming his uncle was eaten by cannibals
Fox News via Yahoo News· 3 days agoPresident Biden is facing heavy criticism from the leader of Papua New Guinea after his comments...
‘Uncle Vanya’ Review: Steve Carell Fits Seamlessly Into a Stellar Ensemble in a Gorgeous Broadway...
Variety via AOL· 3 hours agoDirector Lila Neugebauer sets Lincoln Center Theater’s starry, breathtaking new Broadway production...
Broadway review: In Steve Carell’s ‘Uncle Vanya,’ Chekhov’s gun fires blanks
USA TODAY via Yahoo News· 3 hours agoNEW YORK — More than a century on, “Uncle Vanya” continues to be as relevant as ever. Anton...
Review: Steve Carell as the 50-Year-Old Loser in a Comic ‘Uncle Vanya’
New York Times· 3 hours agoAlso, Vanya is hopelessly in love with the old man’s exquisitely languorous young wife, who,...
Why Steve Carell Is Not the Star of ‘Uncle Vanya’ on Broadway
The Daily Beast via Yahoo News· 2 hours agoMarc J. FranklinThe last Uncle Vanya to cause a stir in New York was far more modest in physical...
Latest Unsettling Uncle Howdy Teases From WWE Raw Unraveled
Comic Book· 2 days agoAnother set of clues about Uncle Howdy's impending arrival went down on WWE Raw this week. There has...
‘Uncle Vanya’ review: Steve Carell’s Broadway play is funny, not feeling
New York Post· 3 hours agoNow playing the hapless title role in Anton Chekhov’s “Uncle Vanya,” the revival of which opened...
BROADWAY REVIEW: ‘Uncle Vanya’ is disconnected and alienating despite Steve Carrell and strong cast
New York Daily News· 3 hours agoAnton Chekhov’s “Uncle Vanya” is a wry and smart adaptation in places, but it doesn’t land either as an overtly contemporary interpretation nor something trying to amplify the era of the 1895 play.…