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Sorry, Blockbusters: America’s Real ’80s Cinema Legacy Is Robert Redford’s Sundance Institute
Indiewire via Yahoo News· 9 months agoFor years, much of the film industry has considered Sundance as a ’90s legacy, one most famous for...
Google Bard is already behind in the AI wars with OpenAI and Microsoft
Business Insider via Yahoo Finance· 1 year agoGoogle Bard is a clear response to OpenAI's ChatGPT.Jonathan Raa/NurPhoto/Getty Images Google Bard,...
‘Asteroid City’ Review: Scarlett Johansson Leads Stacked Ensemble That Gets Marooned in Cloying Wes...
The Hollywood Reporter via Yahoo News· 1 year agoNew additions to the director’s informal repertory company in this cosmic comedy about love, family...
John Van Nostrand: It was sort of close, maybe, at times
Creston News Advertiser, Iowa via Yahoo News· 3 weeks agoMay 7—A few weeks ago I ran into an episode of "The Love Boat" and I wasn't sure who the actor was in the scene. I like the comedy/drama show from the late 1970s to mid 1980s purely to see what ...
‘Love Life’ Review: Kōji Fukada Hits New Highs with a Terrific Melodrama
Indiewire via Yahoo News· 2 years agoAn enormously poignant melodrama told at the volume of a broken whisper, Kōji Fukada’s “Love Life”...
How ‘Gazer,’ a Self-Financed Thriller from Amateur Filmmakers, Made It Into This Year’s Directors’...
Variety via Yahoo News· 2 weeks agoRyan J. Sloan’s “Gazer” is a classic thriller that will surely have Cannes audiences on the edge of...
The Best Sci-Fi Books of 2023
Futurism via Yahoo News· 1 year agoThere’s a good chance you’ll find your next great read among the best sci-fi books of all time. Science fiction is a broad genre that contains everything...
Anderson Cooper on His Complicated Vanderbilt Legacy and CNN After Chris Licht
The Hollywood Reporter via Yahoo News· 8 months agoAnderson Cooper has spent much of his career roaming the globe, documenting the kind of stories few...
Opera gets slapped with the 'elitist' label. L.A. proves just how wrong that is
LA Times via Yahoo News· 1 month agoWith Verdi's 'La Traviata' and Huang Ruo's 'Book of Mountains and Seas' as well as other projects, L.A. Opera is attempting to cover all operatic bases. Can opera thrive here?
