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To live authentically, look to the paramount example: Jesus
National Catholic Reporter· 2 days agoThe Life - Our sister panelists explore what it means to live an authentic life as a consecrated...
'Queenie' author saw a different coming of age story in 'Bridget Jones's Diary'
The Times of Northwest Indiana· 5 days agoCandice Carty-Williams' bestseller “Queenie” is set to premiere in June on Hulu.
'Queenie' author saw a different coming of age story in 'Bridget Jones's Diary'
The Fredericksburg Free Lance-Star· 5 days agoCandice Carty-Williams borrowed “Bridget Jones’s Diary” from her aunt’s bookshelf “when I was too...
'Queenie' author saw a different coming of age story in 'Bridget Jones's Diary'
Quad-City Times· 5 days agoCandice Carty-Williams borrowed “Bridget Jones’s Diary” from her aunt’s bookshelf “when I was too...
Author: Power doesn't have to be a dirty word for Christians
National Catholic Reporter· 5 days agoFor many Christians, power is a dirty word, conjuring up images of tyrannical abuse against the...
From ‘Anora’ to ‘The Substance,’ tales of beauty and its price galvanize Cannes
Courthouse News Service· 7 days agoCANNES, France (AP) — “Beauty is like war,” says Gary Oldman, in character, in Paolo Sorrentino’s...
'Queenie' author saw a different coming of age story in 'Bridget Jones's Diary'
Richmond Times-Dispatch· 5 days agoCandice Carty-Williams borrowed “Bridget Jones’s Diary” from her aunt’s bookshelf “when I was too...
Daisy Ridley compares Star Wars, 'scary' Young Woman and the Sea training
ClutchPoints· 7 days agoDaisy Ridley talks about the project she's most 'proud' of, Young Woman and the Sea.
The Women of Greek Myths Are Finally Talking Back
New York Times· 4 days agoSeveral years ago, when Nataly Gruender was studying classics as an undergraduate at the University of Arizona, she started to wonder if there was more...
From 'Anora' to 'The Substance,' tales of beauty and its price galvanize Cannes
Newsday· 7 days agoCANNES, France — “Beauty is like war,” says Gary Oldman, in character, in Paolo Sorrentino’s...