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    • The Unseen Sides of Francesca Woodman

      The Unseen Sides of Francesca Woodman

      The New Yorker· 3 days ago

      George gave Francesca her first camera when she was thirteen, and she soon started to make daring images in a haunted, romantic style that was...

    • How to Both-Sides a “Civil War”

      How to Both-Sides a “Civil War”

      The New Yorker· 3 days ago

      This was a thin premise for a film—little more than an excuse for Emmerich to do what he did best, which was conjuring world-famous landmarks onscreen...