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Lennon’s and McCartney’s sons release new song ‘Primrose Hill’
WSOC-TV Charlotte· 2 days agoThere was the “Fool On the Hill” and “Strawberry Fields Forever” now the latest Lennon and McCartney...
Beatles scions James McCartney and Sean Ono Lennon take us from ‘Strawberry Fields’ to ‘Primrose...
New York Post· 3 days agoHere come the sons. Sixty-two years after The Beatles released their debut single in the UK, 1962’s...
Must-See Destinations for Beatles Fans
Cheapism via AOL· 4 days agoThe memorial consists of a 5-acre landscape near the West 72nd Street entrance and includes the Imagine mosaic, where many come to pay tribute to...
Five reasons to attend Abbey Road on the River
Pharos-Tribune· 22 hours agoFans from around the U.S. will come together to kick off summer and celebrate the music of The Beatles and classic rock at Abbey Road on the River. The...
There’s something in the way other artists cover Beatles songs - The Boston Globe
The Boston Globe· 2 weeks ago“Every symphony you hear is doing a cover song, and if classical musicians get to do Bach, well,...
From Strawberry Fields to Primrose Hill: John Lennon and Paul McCartney’s sons come together with...
The Independent via Yahoo News· 3 days agoTogether, John Lennon and Paul McCartney formed one of the greatest songwriting partnerships in...
Paul McCartney
Fandom· 7 days agoThis means that it has been identified as one of the best articles on the Beatles Wiki. Sir James Paul McCartney CH MBE (born 18 June 1942) is an English...
Been Stellar Reveal Origins of New Song “Sweet”: Exclusive
Consequence of Sound via Yahoo News· 3 days agoThe new single explores Mazzy Star-style guitars through a post-punk revival instrumental. Been...
John Lennon and Paul McCartney's sons team up for new song ‘Primrose Hill’
Euronews via Yahoo News· 3 days agoAnything to make us forget about that godawful ‘Now And Then’ video, to be honest. The 'Now And...
BROADWAY REVIEW: ‘Stereophonic’ is brilliant and among the best shows in years
New York Daily News· 17 minutes agoJust before the end of David Adjmi’s masterful “Stereophonic,” a three-hour dissection of ego, insecurity and the messy, messed-up gorgeousness of the creative process, I decided I’d had enough ...
